
Roland E. Kuit, 1959 composer, The Netherlands.
At the age of six, he received his first piano and recorder lessons and started making his first improvisations with these instruments. The tape recorder at home was used to record these sessions. Other instruments, like the violin and trom-bone got his attention too during these re-cordings.
He started to record all kinds of noises. He gave up recorder lessons and started playing the flute at the age of eleven.
One year later he was accepted at the Royal Conservatory in The Hague. His teachers were Mirjam Nastasi and Marijke Bakker. After playing Baroque music, his interest went via Debussy, Fauré to the more modern composers like Escher, van Dijk, Fukushima. He started to explore jazz and pop music too and electronic music caught his interest. After a short study at the Vrije Academie in The Hague, painting and graphics, he went to the Institute for Sonology in Utrecht. There he studied analogue modular sound design and composition by Jaap Vink and Frits Weiland. VOSIM by Werner Kaegi and Fortran V music by Gottfried M. Koenig and Stan Tempelaars (1981-1985). He became involved in making sound art as well. Numerous expo-sitions would follow. Later on he went to Paris to study inter-active composition and acoustics at the IRCAM by Kaija Saariaho and Philippe Manoury (2000).
His favorite instru-ments are the Nord Modular and the G2 made by Clavia. In 2010, he started painting again. Minimalistic and fundamental textures on canvas. Presently, he is artistic director of OEMN (2012, Oplei-dingen Elektronische Muziek Nederland). Affiliated to the University of Amersfoort.
| Track number | Title | Order | Duration |
|---|---|---|---|
| 1. | _0_ | 0:06 | |
| 2. | 9 | 3:36 | |
| 3. | 8 | 4:48 | |
| 4. | 7 | 5:36 | |
| 5. | 6 | 4:48 | |
| 6. | 5 | 5:00 | |
| 7. | 4 | 4:48 | |
| 8. | 3 | 4:12 | |
| 9. | 2 | 3:12 | |
| 10. | 1 | 1:48 | |
| 11. | 0 | 1:00 |
Roland Kuit: computer, 2011. Sine waves and silence(Black noise).
The Fibonacci sequence backwards: (1597), 987, 610, 377, 233,144, 89, 55, 34 Hz. as fundamentals for track 9 to 1. The division of the time ratio was 1/6 by every track.
Creating a turn in the time domain.
Track 1: "_0_" represents this stack as an ouverture.
Track 2: 1597 Hz is divided backwards in a lineair way to 8 sinus tones. Substracting one every sound, untill the fundamental 987 Hz. is reached.
Track 3: 987 Hz is divided backwards in a lineair way to 7 sinus tones. Subtracting one every sound, untill the fundamental 610 Hz is reached. And so on.
Creating tone and rest blocks. These equations, unlike the golden ratio, create different clusters with their intrinsic caracter.
Track 10: ".0." is Noise.
Presenting random sine waves from 34-1597 Hz. between the, here used, Fibonacci cardinal points.
Computer music/ conceptual/ sound event
Discography
0 Proza/ ZERO Proze
AM/FM
The Rajlich Concept
10 Oct 2011
Line, black....interrupted
10 Oct 2011
Paris
10 Oct 2011
Amsterdam
10 Oct 2011
Electro Acoustic Domestic Pet
10 Oct 2011
La Baigneuse
10 Oct 2011
Meditations For Flute
10 Oct 2011
Abstract Flute Music
10 Oct 2011
Live Works
10 Oct 2011
New Chamber Music
10 Oct 2011
The Relax Patches
10 Oct 2011
The American Way
10 Oct 2011
Dutch Tech Loops
10 Oct 2011
Dutch Lounge Loops
10 Oct 2011
Dutch Highway Music
10 Oct 2011